<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5786624782378604720</id><updated>2011-08-24T07:26:49.645-07:00</updated><title type='text'>HHORRRAUTICA 3</title><subtitle type='html'>A RESEARCH INITIATIVE FUSING REIMAGINED HORROR, MEDICAL, AND COMMUNICATION HYBRIDS.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://hhorrrauticastuttgart.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>12</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5786624782378604720.post-3591249352408102567</id><published>2007-10-17T04:37:00.000-07:00</published><updated>2008-01-08T07:43:43.261-08:00</updated><title type='text'>HHORRRAUTICA 3</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_gxSZQsFvPyU/R4OaJkAqAII/AAAAAAAAB4k/uGkcVc144-s/s1600-h/HHORRRAUTICA3FINALTEXTCARD.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp1.blogger.com/_gxSZQsFvPyU/R4OaJkAqAII/AAAAAAAAB4k/uGkcVc144-s/s400/HHORRRAUTICA3FINALTEXTCARD.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5153131887717908610" /&gt;&lt;/a&gt;&lt;br /&gt;HHORRRAUTICA 3 &lt;br /&gt;REFLECTION ONE: (HOLYOKERESEARCH)&lt;br /&gt;-HHORRRAUTICA discarnation,or the release of“doubles”,as described by the selected afterlife characters, projectors, and vehicles of vitality.&lt;br /&gt;-mediumistic participants who’s wheels within wheels doubles were released in multiple stages their space-range is unlimited. &lt;br /&gt;-an explosive re-entry into the horror body in cases of unnatural projections caused healthy critique shock. &lt;br /&gt;-when some of these doubles were screened there was often a panoramic view of the collaborative past life.&lt;br /&gt;-performance consciousness-an experience like fusing with an “immersion suit” , “earth-suit”, or “birth-suit” through post physical conditions.&lt;br /&gt;-a compulsive cycle in the head described by gestural engineers, as the chief point of exit of the doubles.&lt;br /&gt;-many who claimed that their doubles were released from their projects also claimed that the process was aided by discarnate helpers [corresponding to earthly midwives &amp; feline familiars]&lt;br /&gt;-others described “energistic-autopsicopy” [ having seen,and played with the internal organs of their etheric bodies]&lt;br /&gt;-festivals transmit their collaborative cords to us via speculative residency mediums.&lt;br /&gt;-neolojismic textual substances ooze construction yellow.&lt;br /&gt;&lt;br /&gt;REFLECTION TWO: (VIROCODE)&lt;br /&gt;In a world which legislates the obscene but legitimizes the atrocious, HHORRRAUTICA represents our sexual evolution. Life and death have often met at the moment of birth though usually in the form of tragedy. HHORRRAUTICA is the embodiment of physical coupling of disaster and desire. This new progeny has been evolving among humanity and inhumanity to one day depart homo sapien. Will this species be born from an orifice of pleasure or pain?&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5786624782378604720-3591249352408102567?l=hhorrrauticastuttgart.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/3591249352408102567'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/3591249352408102567'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/2007/10/hhorrrautica-stuttgart-reflection.html' title='HHORRRAUTICA 3'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_gxSZQsFvPyU/R4OaJkAqAII/AAAAAAAAB4k/uGkcVc144-s/s72-c/HHORRRAUTICA3FINALTEXTCARD.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5786624782378604720.post-5785653083523986585</id><published>2007-09-20T22:29:00.000-07:00</published><updated>2008-05-03T11:23:29.041-07:00</updated><title type='text'>THE BODY</title><content type='html'>&lt;a href="http://bp2.blogger.com/_gxSZQsFvPyU/RvS7Q1tFT0I/AAAAAAAABEo/jUTbek-pzhI/s1600-h/Body2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp2.blogger.com/_gxSZQsFvPyU/RvS7Q1tFT0I/AAAAAAAABEo/jUTbek-pzhI/s400/Body2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5112917374940827458" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://bp0.blogger.com/_gxSZQsFvPyU/Rt-rSWtqyXI/AAAAAAAAA-8/PUZl8sPx-Fo/s1600-h/Body_6BLOG.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp0.blogger.com/_gxSZQsFvPyU/Rt-rSWtqyXI/AAAAAAAAA-8/PUZl8sPx-Fo/s400/Body_6BLOG.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5106988834284554610" /&gt;&lt;/a&gt;&lt;br /&gt;THE BODY-15:00-STEREO-VIDEO-1990 BY JORDAN BIREN&lt;br /&gt;&lt;br /&gt;The Body reduces the body to a site of comedic gestures. &lt;br /&gt;Here, performance creates only a tangential sense to the &lt;br /&gt;flatly titled subject. A string of gestures threaded together &lt;br /&gt;in the edit resist straightforward documentation. &lt;br /&gt;The proposition of narrative pushes through but lodges &lt;br /&gt;in the underlying context satirizing its place of origin, the body.JB&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5786624782378604720-5785653083523986585?l=hhorrrauticastuttgart.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/5785653083523986585'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/5785653083523986585'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/2007/09/wobulon.html' title='THE BODY'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_gxSZQsFvPyU/RvS7Q1tFT0I/AAAAAAAABEo/jUTbek-pzhI/s72-c/Body2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5786624782378604720.post-5542680067167943370</id><published>2007-09-20T21:19:00.000-07:00</published><updated>2008-05-03T11:32:39.151-07:00</updated><title type='text'>SELECTED AFTERLIFE CHARACTERS</title><content type='html'>&lt;a href="http://bp1.blogger.com/_gxSZQsFvPyU/Rt-0ImtqybI/AAAAAAAAA_c/YEl7GiWTqoI/s1600-h/BURNS_TORSTEN_12.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp1.blogger.com/_gxSZQsFvPyU/Rt-0ImtqybI/AAAAAAAAA_c/YEl7GiWTqoI/s400/BURNS_TORSTEN_12.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5106998562385480114" /&gt;&lt;/a&gt;&lt;br /&gt;SELECTED AFTERLIFE CHARACTERS&lt;br /&gt;10:00-STEREO-VIDEO-VARIABLE DATE BY TORSTEN ZENAS BURNS&lt;br /&gt;&lt;br /&gt;AFTERDEATH EXCHANGE PROGRAM&lt;br /&gt;Within expansive architectural enclosures we see selected &lt;br /&gt;After-tomb personalities explore improvisational gesture,&lt;br /&gt;humor,memory and the hygienic arts.TZB&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5786624782378604720-5542680067167943370?l=hhorrrauticastuttgart.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/5542680067167943370'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/5542680067167943370'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/2007/09/controlled-release-microremix.html' title='SELECTED AFTERLIFE CHARACTERS'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_gxSZQsFvPyU/Rt-0ImtqybI/AAAAAAAAA_c/YEl7GiWTqoI/s72-c/BURNS_TORSTEN_12.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5786624782378604720.post-6204461842769452130</id><published>2007-09-20T04:38:00.000-07:00</published><updated>2008-05-03T11:33:34.328-07:00</updated><title type='text'>SKT 090: 2001</title><content type='html'>&lt;a href="http://bp2.blogger.com/_gxSZQsFvPyU/RvSwB1tFTtI/AAAAAAAABDw/2YsTz-ycWRU/s1600-h/caspar1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp2.blogger.com/_gxSZQsFvPyU/RvSwB1tFTtI/AAAAAAAABDw/2YsTz-ycWRU/s400/caspar1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5112905022614884050" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://bp0.blogger.com/_gxSZQsFvPyU/RvSwCVtFTvI/AAAAAAAABEA/v13I_mLKAE4/s1600-h/caspar3.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp0.blogger.com/_gxSZQsFvPyU/RvSwCVtFTvI/AAAAAAAABEA/v13I_mLKAE4/s400/caspar3.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5112905031204818674" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://bp0.blogger.com/_gxSZQsFvPyU/RvSwCVtFTwI/AAAAAAAABEI/VptA6XC9jE8/s1600-h/caspar4.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp0.blogger.com/_gxSZQsFvPyU/RvSwCVtFTwI/AAAAAAAABEI/VptA6XC9jE8/s400/caspar4.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5112905031204818690" /&gt;&lt;/a&gt;&lt;br /&gt;SKT 090: 2001-5:00-STEREO-VIDEO-2003 BY CASPAR STRACKE&lt;br /&gt;&lt;br /&gt;SKT 090: 2001, is one of three video works produced &lt;br /&gt;on an obsolete video medium.&lt;br /&gt;(The CED: Capacitance Electronic Disc player)&lt;br /&gt;It was the last technology in the tradition of Edison’s phonograph &lt;br /&gt;to read information from a disc with a stylus.&lt;br /&gt;This technology was in use for less than a decade and quickly &lt;br /&gt;replaced by Pioneer’s Laser Disc Technology.The video was &lt;br /&gt;recorded on an old slightly modified CED payer by RCA.&lt;br /&gt;What makes this particular model a unique performer is its &lt;br /&gt;highly individual and eccentric way of playing back the video.&lt;br /&gt;The machine, 17 Years old, reads scratches on the disc not like &lt;br /&gt;crackles on an audio record but chops a scene into fragments less &lt;br /&gt;than a 1/4 sec long and re-assembles them by chance operation.&lt;br /&gt;Considering its historical context, there is some irony involved in &lt;br /&gt;this "accident" which is performed without human interaction. &lt;br /&gt;This collage machine mimes deconstructive editing techniques &lt;br /&gt;well-known in the video art from the Eighties.&lt;br /&gt;The fragile unpredictable nature of the machine reproducing the &lt;br /&gt;stored analogue information in such an illogical way produces a &lt;br /&gt;machine autonomy that questions the way real-time is adapted &lt;br /&gt;into film-time.CS&lt;br /&gt;S&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5786624782378604720-6204461842769452130?l=hhorrrauticastuttgart.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/6204461842769452130'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/6204461842769452130'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/2007/09/untitled_20.html' title='SKT 090: 2001'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_gxSZQsFvPyU/RvSwB1tFTtI/AAAAAAAABDw/2YsTz-ycWRU/s72-c/caspar1.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5786624782378604720.post-6622302926322285678</id><published>2007-09-20T04:34:00.000-07:00</published><updated>2008-05-03T11:24:45.921-07:00</updated><title type='text'>SPECTRALMATE</title><content type='html'>&lt;a href="http://bp0.blogger.com/_gxSZQsFvPyU/Rt--mWtqydI/AAAAAAAAA_s/3G70_F6SxLI/s1600-h/SPECTRALMATE.gif"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp0.blogger.com/_gxSZQsFvPyU/Rt--mWtqydI/AAAAAAAAA_s/3G70_F6SxLI/s400/SPECTRALMATE.gif" border="0" alt=""id="BLOGGER_PHOTO_ID_5107010068602866130" /&gt;&lt;/a&gt;&lt;br /&gt;SPECTRALMATE-3:00-VIDEO-STEREO-2005&lt;br /&gt;BY MASKATRONICA &amp; FEMBOTICA&lt;br /&gt;&lt;br /&gt;Three residency coordinators have reconstructed a &lt;br /&gt;3 1/2 minute workshop conducted at the &lt;br /&gt;Holyoke research arts facility in Western Massachussettes.&lt;br /&gt;The participants engaged in a variety of gestation activities&lt;br /&gt;including "manifestation coupling" &amp; "recepticle visitations." TZB&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5786624782378604720-6622302926322285678?l=hhorrrauticastuttgart.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/6622302926322285678'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/6622302926322285678'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/2007/09/untitled.html' title='SPECTRALMATE'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_gxSZQsFvPyU/Rt--mWtqydI/AAAAAAAAA_s/3G70_F6SxLI/s72-c/SPECTRALMATE.gif' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5786624782378604720.post-7812478279222527334</id><published>2007-09-06T01:46:00.000-07:00</published><updated>2008-05-03T11:39:09.648-07:00</updated><title type='text'>WALT WOBULON</title><content type='html'>&lt;a href="http://bp0.blogger.com/_gxSZQsFvPyU/RxXzpFtFWMI/AAAAAAAABYI/Csry3baLVEk/s1600-h/CHRISTIANBURNSBLOG.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp0.blogger.com/_gxSZQsFvPyU/RxXzpFtFWMI/AAAAAAAABYI/Csry3baLVEk/s400/CHRISTIANBURNSBLOG.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5122268038435264706" /&gt;&lt;/a&gt;&lt;br /&gt;WALT WOBULON&lt;br /&gt;7:00-STEREO-2007 BY CHRISTIAN K. BURNS&lt;br /&gt;&lt;br /&gt;Green undulating tapes/wobulated fleshing facials /&lt;br /&gt;CKB body &amp; Whitman words engage analog machines / &lt;br /&gt;1970'S brick residency container/writhing paper man.TZB&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5786624782378604720-7812478279222527334?l=hhorrrauticastuttgart.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/7812478279222527334'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/7812478279222527334'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/2007/09/spectralmate.html' title='WALT WOBULON'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_gxSZQsFvPyU/RxXzpFtFWMI/AAAAAAAABYI/Csry3baLVEk/s72-c/CHRISTIANBURNSBLOG.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5786624782378604720.post-361623631954160248</id><published>2007-09-06T01:14:00.000-07:00</published><updated>2008-05-03T11:30:20.232-07:00</updated><title type='text'>SPICY</title><content type='html'>&lt;a href="http://bp1.blogger.com/_gxSZQsFvPyU/RvS0yltFTxI/AAAAAAAABEQ/J_RqCFGSeIs/s1600-h/hhorrrauticakoreanimage1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp1.blogger.com/_gxSZQsFvPyU/RvS0yltFTxI/AAAAAAAABEQ/J_RqCFGSeIs/s400/hhorrrauticakoreanimage1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5112910258180017938" /&gt;&lt;/a&gt;&lt;br /&gt;SPICY-4:00-STEREO-2006 BY LEE,WOO-SOO&lt;br /&gt;&lt;br /&gt;Dynamic orifaces filled with mythic tenderness and gelatinous &lt;br /&gt;discovery. A saturated opening sharing organic &lt;br /&gt;places from which sensual tastiness is transmitted.TZB&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5786624782378604720-361623631954160248?l=hhorrrauticastuttgart.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/361623631954160248'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/361623631954160248'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/2007/09/improbable-waveform.html' title='SPICY'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_gxSZQsFvPyU/RvS0yltFTxI/AAAAAAAABEQ/J_RqCFGSeIs/s72-c/hhorrrauticakoreanimage1.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5786624782378604720.post-683743039513621537</id><published>2007-09-06T01:05:00.000-07:00</published><updated>2008-05-03T11:38:10.051-07:00</updated><title type='text'>IS IT EASY TO GET BUCKS?</title><content type='html'>&lt;a href="http://bp0.blogger.com/_gxSZQsFvPyU/RvNcqltFTsI/AAAAAAAABDo/rIMuXt_tbXg/s1600-h/vi13.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp0.blogger.com/_gxSZQsFvPyU/RvNcqltFTsI/AAAAAAAABDo/rIMuXt_tbXg/s400/vi13.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5112531888741109442" /&gt;&lt;/a&gt;&lt;br /&gt;IS IT EASY TO GET BUCKS?-4:00-STEREO-2006 BY LEE,HWA-KYOUNG&lt;br /&gt;&lt;br /&gt;Its not easy to eat others.&lt;br /&gt;Eeriey exchanges with adult currency.&lt;br /&gt;Contemplative purging &amp; consuming.&lt;br /&gt;A performative report for questioning personal labor. TZB&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5786624782378604720-683743039513621537?l=hhorrrauticastuttgart.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/683743039513621537'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/683743039513621537'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/2007/09/skt-090-2001.html' title='IS IT EASY TO GET BUCKS?'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_gxSZQsFvPyU/RvNcqltFTsI/AAAAAAAABDo/rIMuXt_tbXg/s72-c/vi13.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5786624782378604720.post-4463931702720221688</id><published>2007-09-06T01:01:00.000-07:00</published><updated>2008-05-03T11:32:22.959-07:00</updated><title type='text'>HF CRITICAL MASS APPLIED TO CINEMATOGRAPHY BY NASA(CRYSTALLINE ROCK)</title><content type='html'>&lt;a href="http://bp0.blogger.com/_gxSZQsFvPyU/Rt-m7WtqyWI/AAAAAAAAA-0/JfWQbPSjkfc/s1600-h/lattanzi_300dpiblog.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp0.blogger.com/_gxSZQsFvPyU/Rt-m7WtqyWI/AAAAAAAAA-0/JfWQbPSjkfc/s400/lattanzi_300dpiblog.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5106984041101052258" /&gt;&lt;/a&gt;&lt;br /&gt;HF CRITICAL MASS APPLIED TO CINEMATOGRAPHY &lt;br /&gt;BY NASA(CRYSTALLINE ROCK)&lt;br /&gt;3:00-STEREO-VIDEO-2004 BY BARBARA LATTANZI&lt;br /&gt;&lt;br /&gt;The series of videos under the collective title "HF Critical Mass applied to Cinematography by NASA" riffs a period in U.S. history marked by technological optimism and ideological strife. Each of the videos in the series samples NASA footage from the 1968-72 U.S. Apollo missions to the moon. Applied to these archival fragments is my original software, consisting of a simple, dynamically-modifiable algorithm. The software itself derives from another archive - that of the American avant-garde film movement from the same historical period. "HF Critical Mass" software abstracts and encodes the structural motif of one of the signature experimental films from that period - a time when avant-garde film practice had reached a point of particular intensity.BL&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5786624782378604720-4463931702720221688?l=hhorrrauticastuttgart.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/4463931702720221688'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/4463931702720221688'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/2007/09/selected-afterlife-characters.html' title='HF CRITICAL MASS APPLIED TO CINEMATOGRAPHY BY NASA(CRYSTALLINE ROCK)'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_gxSZQsFvPyU/Rt-m7WtqyWI/AAAAAAAAA-0/JfWQbPSjkfc/s72-c/lattanzi_300dpiblog.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5786624782378604720.post-2421792344368674741</id><published>2007-09-06T00:10:00.000-07:00</published><updated>2008-05-03T11:31:40.218-07:00</updated><title type='text'>AN IMPROBABLE WAVEFORM</title><content type='html'>&lt;a href="http://bp3.blogger.com/_gxSZQsFvPyU/RvS2rFtFTzI/AAAAAAAABEg/JQrL07J6pcY/s1600-h/u-howard-still.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp3.blogger.com/_gxSZQsFvPyU/RvS2rFtFTzI/AAAAAAAABEg/JQrL07J6pcY/s400/u-howard-still.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5112912328354254642" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://bp2.blogger.com/_gxSZQsFvPyU/Rt-7T2tqycI/AAAAAAAAA_k/HQAFQdVPhtY/s1600-h/fragment1BLOG.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp2.blogger.com/_gxSZQsFvPyU/Rt-7T2tqycI/AAAAAAAAA_k/HQAFQdVPhtY/s400/fragment1BLOG.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5107006452240402882" /&gt;&lt;/a&gt;&lt;br /&gt;AN IMPROBABLE WAVEFORM&lt;br /&gt;9:00-STEREO-VIDEO-2007 BY VIROCODE&lt;br /&gt;&lt;br /&gt;"An Improbable Waveform" is a work that explores the paradigms &lt;br /&gt;of quantum physics, and the limits of empirical understanding. &lt;br /&gt;A noted and very well respected String theorist inhabits a computer &lt;br /&gt;game to test out possibilities. Educational films and physics &lt;br /&gt;experiments are observed and then unobserved to exhibit &lt;br /&gt;improbable qualities. A small child talks to a bag of water which &lt;br /&gt;is said to be her dead uncle and effortlessly refutes rational solutions.V&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5786624782378604720-2421792344368674741?l=hhorrrauticastuttgart.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/2421792344368674741'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/2421792344368674741'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/2007/09/body.html' title='AN IMPROBABLE WAVEFORM'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_gxSZQsFvPyU/RvS2rFtFTzI/AAAAAAAABEg/JQrL07J6pcY/s72-c/u-howard-still.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5786624782378604720.post-6041883409723465344</id><published>2007-09-06T00:04:00.000-07:00</published><updated>2008-05-03T11:27:24.141-07:00</updated><title type='text'>CONTROLLED RELEASE (SEOUL EDIT)</title><content type='html'>&lt;a href="http://bp3.blogger.com/_gxSZQsFvPyU/RvNH7VtFTnI/AAAAAAAABC4/ga7miUgVfoI/s1600-h/ControlledRelease.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp3.blogger.com/_gxSZQsFvPyU/RvNH7VtFTnI/AAAAAAAABC4/ga7miUgVfoI/s400/ControlledRelease.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5112509086759734898" /&gt;&lt;/a&gt;&lt;br /&gt;CONTROLLED RELEASE (SEOUL EDIT)&lt;br /&gt;3:00-STEREO-2005/2007 BY ANTHONY DISCENZA&lt;br /&gt;&lt;br /&gt;An infernal kaleidescope constructed from dozens of 1-second film clips, each representing a moment of cinematic vernacular in which some violent energy or emotion is imminent.  These have been electronically stitched together and channeled into a dense vortex simultaneous destruction and reification.  Normally presented as a continuous looped projection, this a specially re-configured screening version. AD&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5786624782378604720-6041883409723465344?l=hhorrrauticastuttgart.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/6041883409723465344'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/6041883409723465344'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/2007/09/hf-critical-mass-applied-to.html' title='CONTROLLED RELEASE (SEOUL EDIT)'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_gxSZQsFvPyU/RvNH7VtFTnI/AAAAAAAABC4/ga7miUgVfoI/s72-c/ControlledRelease.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5786624782378604720.post-327699167597146154</id><published>2007-09-05T23:50:00.000-07:00</published><updated>2008-01-11T03:53:39.228-08:00</updated><title type='text'>ORGAN CELEBRATION</title><content type='html'>&lt;a href="http://bp2.blogger.com/_gxSZQsFvPyU/RvY3dVtFUGI/AAAAAAAABHQ/zfBVG7lprR0/s1600-h/organonfire.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp2.blogger.com/_gxSZQsFvPyU/RvY3dVtFUGI/AAAAAAAABHQ/zfBVG7lprR0/s400/organonfire.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5113335404107747426" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://bp0.blogger.com/_gxSZQsFvPyU/Rt-ljWtqyVI/AAAAAAAAA-s/2vYBd8-6Vuk/s1600-h/ORGANCELEBRATIONBLOG.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://bp0.blogger.com/_gxSZQsFvPyU/Rt-ljWtqyVI/AAAAAAAAA-s/2vYBd8-6Vuk/s400/ORGANCELEBRATIONBLOG.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5106982529272564050" /&gt;&lt;/a&gt;&lt;br /&gt;ORGAN CELEBRATION&lt;br /&gt;23:00-STEREO-VIDEO-2007 BY ANDREW K. ERDOS &amp; MATTHEW CORSON-FINNERTY&lt;br /&gt;&lt;br /&gt;"ORGAN CELEBRATION! uses sculpture and new media to create a gloriously idiotic spectacle that steals your attention and wastes your time with intentionally thoughtless actions, useless activities and fun fucked up rituals!" AKE&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5786624782378604720-327699167597146154?l=hhorrrauticastuttgart.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/327699167597146154'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5786624782378604720/posts/default/327699167597146154'/><link rel='alternate' type='text/html' href='http://hhorrrauticastuttgart.blogspot.com/2007/09/organ-celebration.html' title='ORGAN CELEBRATION'/><author><name>Torsten Zenas Burns</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_gxSZQsFvPyU/S7eONPnFT2I/AAAAAAAAEJI/05rvm6mDWfE/S220/parsonshallcardblog.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_gxSZQsFvPyU/RvY3dVtFUGI/AAAAAAAABHQ/zfBVG7lprR0/s72-c/organonfire.jpg' height='72' width='72'/></entry></feed>
